17A-2024 – Rachel Wood – The Infinite Vessel
April 21 – 27 2024
A vital approach to coiling, pinching and surface decoration
Handbuilding. For all
The infinite vessel workshop will refresh, revitalise and deepen your connection with the hand building techniques of pinching and coiling. Using an experimental approach, you will be able to gain confidence, develop competent skills and befriend your clay! Furthermore, you will learn and apply surface decoration and mark making techniques to add vitality and life to your work, so that the natural qualities of the clay, and your Tuscan experience, come shining through.
The course will begin with the fundamentals of coiling and pinching techniques. Then, through playful experiments and some group work we will explore the physical qualities of the clay, appreciate it strengths, and exploit its limitations. In fact, using an investigative approach, we shall also experiment with surface treatment through the application of slips and glaze to build layer and depth to your work. Your own handmade tiles will be perfect for this in order to get speedy results through the test kiln, the results of which will inform the larger pieces made and fired later in the week.
In the infinite vessel, students will be continually encouraged and supported on an individual basis to help them translate introductory experiments into larger pieces. There will also be a slide show presentation one evening about Rachel’s own work, inspirations and philosophy to making.
Rachel Wood studied ceramics at Loughborough College of Art and Design. Rachel was also assistant to the potter Robin Welch, and has completed several residencies including at Rufford Craft Centre, Sturt Craft Centre, Australia, and Guldagergaard International Ceramic Research Centre, Denmark. She now teaches and exhibits extensively in the UK, Germany, Netherlands, France and Australia. Her work is found in private and public collections. She says of herself: “I am inspired by the world around me…the colours, shapes and the textures of the landscape. I want each pot to convey its own spirit and character…to have a pulse and a heartbeat. I want the marks to reflect the journey of exploration and learning in each pot, just as a wrinkle or dimple depicts expression and character in a human face.” www.rachelwoodceramics.co.uk
Sunday April 21 (arrival) – Saturday April 27 (departure) 2024
|Length of course||
5 working days in the studio
For all levels
|Deposit for booking:||
Payment and Refund Policy
A deposit is required at registration. After submitting the registration form, you may proceed with the payment on-line. If you choose to pay by bank transfer, the registration will be confirmed once the deposit has been accredited in our banking account. The balance must be paid at the beginning of the course.
You may withdraw within 14 days of registration without incurring in any penalties and will have the deposit fully refunded. No refund of deposits past 14 days of registration, pursuant to articles 53 and following of the Italian consumer legislation, in accordance with the EU consumer protection legislation. In the event of disputes, the competent court is Florence. If the workshop cannot be hold because of an insufficient number of students, the deposit will be fully reimbursed.
Students must know that cancellations may occur due to events beyond our control (e.g. pandemic, civil disorder, medical or family issues of the instructor). In such case, La Meridiana reserves the right to offer a voucher for a different workshop of your choice. The voucher is valid for one year. The deposit will be transferred to the workshop of choice.
The workshop fee includes the following:
Tuition of 6 – 8 hours per day;
Studio open 11 hours per day;
All materials and firings;
Lodging in shared double room; single room on request at additional fee of 240 euros per week;
Shared kitchen facilities and shared bathroom.
Freshly prepared three course lunch with wine on all working days;
Welcome breakfast, Welcome and Final dinner;
Coffee break in the mornings and in the evenings.
La Meridiana is equipped to comply with the current safety standards regarding Covid-19, including social distancing between people in and outside the studio. The daily maintenance of hygiene measures is guaranteed. Please note that participants will be required to follow the security protocol and to comply with some simple precautions.
Picasso’s quote immediately struck a chord with me as a student at Loughborough College of Art & Design when I was eagerly searching for that elusive way forward. Adopting my newfound philosophy, I let myself bond with the clay, relax with it, experiment, and take the pressure off for that bitter-sweet approval either from peers or tutors. I learnt to stop trying too hard.
The more I made, both at college and the years after, I realised this quote also applies to the challenges in life, and is not just limited to creative struggles. It’s how we assemble everything that happens, and make sense of what we have, which builds the intrinsic creative essence.