35-2022 – John Colbeck – Porcelain and the Art of the Wheel
August 21 – September 3 2022
Throwing, finishing and glazing porcelain vessels
Throwing. For all levels
Throwing porcelain is often thought of as being more difficult than throwing other clays. This is a misconception. It is more constructive, and accurate, simply to think of porcelain as having different qualities to other clays. In essence, porcelain is the purest of clays. When high fired it is extremely hard and durable and, when thin, is translucent. It is resistant to thermal shock. From heat shields on space capsules, to cutting tools, to spark plugs and insulators, to jewellery, to dentistry and in other fields porcelain and derivatives of porcelain have found application in a wide and increasing range of contexts in society since Marco Polo returned from the Orient, with awe inspiring porcelain vessels, to a Europe in which earthenware was the norm. Porcelain endures today as a beautiful material with which to throw useful and decorative vessels.
The central focus of the course is throwing porcelain but a related focus is to cover a range of the ways porcelain may be finished. Wheel based demonstrations will cover the throwing and trimming of a range of different forms, from simple bowls to jugs and teapots. A related sequence of demonstrations will cover decorative and glazing processes relevant to porcelain, including the making of porcelain bodies.
Each morning and afternoon session will begin with a demonstration to the group. Participants may then work in relation to those demonstrations or pursue their particular interests – in both cases with the attention and support of the teacher. Most of the dry work will be bisqued and a selection of this will be glazed and fired in the gas reduction kilns at 1285C (2345F) (Cone 10). The practical work of the course will be complemented by two illustrated talks referring to the diversity of qualities in historical and contemporary work in porcelain, stoneware and earthenware, and by one illustrated technical talk on porcelain bodies.
John Colbeck has taught full and part time at Ceramics degree courses in the UK throughout his working life and was for many years Head of Ceramics at Bath Academy of Art and, in addition, has taught many short courses and given lectures and seminars in the UK and abroad. He is author of “Pottery, the Technique of Throwing” (1969), “Pottery, Techniques of Decoration” (1983) (both of these still available as Classic reprints from Axner Supplies USA) and “Pottery Materials” (1988). He produces unglazed, polished thrown forms in stoneware and porcelain.
August 21 – September 3 2022
|Length of course||
For all levels
|Deposit for booking:||
THIS COURSE IS FULL
Payment and Refund Policy
A deposit is required at registration. After submitting the registration form, you may proceed with the payment on-line. If you choose to pay by bank transfer, the registration will be confirmed once the deposit has been accredited in our banking account. The balance must be paid at the beginning of the course.
You may withdraw within 14 days of registration without incurring in any penalties and will have the deposit fully refunded. No refund of deposits past 14 days of registration, pursuant to articles 53 and following of the EU consumer protection legislation.
If La Meridiana cannot hold the course due to unforeseen events beyond our control, La Meridiana reserves the right to offer a voucher for a different course of your choice. The voucher is valid for two years. The deposit will be transferred to the new course.
The workshop fee includes the following:
Tuition of 6 – 8 hours per day;
Studio open 12 hours per day;
All materials and firings;
Lodging in double room; single room on request at additional fee of 230 euros. per week;
Freshly prepared three course lunch with wine on all working days;
Welcome breakfast, Welcome and Final dinner;
Coffee break in the mornings and in the evenings.
La Meridiana is equipped to comply with the current safety standards, including social distancing between people in and outside the studio. The building is sanitized and the daily maintenance of hygiene measures is guaranteed. To acess the courses, students need to have a valid Green pass or equivalent document. Please note that participants are will be required to follow the security protocol and to comply with some simple precautions.