October 4 – 17, 2020
Coil-building and developing surface imagery through drawing, carving and texturing.
Sculpture. Non beginners
During this two week figurative workshop we will focus on coil-building the human form, and developing surface imagery through drawing, carving, texturing, and the addition of simple sprig-molded forms. For inspiration we’ll steep ourselves in the Tuscan landscape, the Florence art museums, and a culture renowned for blending the old and the new.
The first week will begin with a trip to Florence and the Bargello Museum to experience the works of great Renaissance masters such as Donatello, Michelangelo and della Robbia. Note-taking through sketching and photos will help inform our sculpture ideas which we’ll develop and refine through moquettes back in the studio.
Throughout the two weeks, Adrian will give demonstrations and slide presentations on her sculpting and coil-building process and supportive individual feedback to guide students in making medium scale sculptures. The techniques covered will be useful for large scale work that could be explored in the future. This will include the use of a base and rod for tall narrow pieces, sectioning and reattaching techniques, internal supports and buttresses, and other sculpting techniques from over 30 years of experience in working with clay.
In addition to coil-building the figure, we’ll enliven the forms with narrative and textural surface imagery. Adrian will demonstrate her texture, carving and relief techniques, as well as how to make simple small sprig molds and ways to alter and apply the press-molded forms to larger pieces. These sprig molds can be made from any assortment of found objects, natural textures, small architectural details, or forms you create out of clay.
The final component to developing a strong, convincing form and surface relationship is an understanding of different types of finishes. While our work is drying, Adrian will discuss and show examples of low-fire glazes, terra sigilatta, and non-fired surface finishes such as wax encaustic, casein paint and gold leaf. Also during this time, participants will have the opportunity to make one or two more simple small sprig molds to take home for future pieces.
While our work is firing, we’ll have the good fortune to go back to Florence to visit the Accademia where we can see the work of more Renaissance masters such as Botticelli, Bartolini, and of course, Michelangelo’s “David” and “Slaves of Stone”.
The workshop will wrap up with unloading the kiln and a group critique of the fired pieces. Participants will be able to make arrangements to have their work shipped back home.
Adrian Arleo is a studio artist living in Lolo, Montana. She studied Art and Anthropology at Pitzer College (B.A. in 1983) and received an MFA in ceramics from Rhode Island School of Design in 1986. Her work is exhibited internationally, and is in numerous public and private collections, including The World Ceramic Exposition Foundation, Icheon, Korea, Racine Art Museum, Racine WI , The Museum of Arts and Sciences, Macon, GA, and The Yellowstone Art Museum, Billings, MT. Adrian received awards from the Virginia A. Groot Foundation in 1991 and ’92, and a Montana Arts Council Individual Fellowship in 1995. Along with making her own work, Adrian is a frequent workshop leader and has been a guest juror for numerous national exhibitions. Her work is currently represented by Abmeyer and Wood Fine Art in Seattle, WA.
“For thirty years, my sculpture has combined human, animal and natural imagery to create a kind of emotional and poetic power. Often there’s a suggestion of a vital interconnection between the human and non-human realms; the imagery arises from associations, concerns and obsessions that are at once intimate and universal. The work frequently references mythology and archetypes in addressing our vulnerability in a changing personal, environmental and political world.” http://adrianarleo.com
DATE: October 4 – 17, 2020
LEVEL: Sculpture. Non beginners
TOTAL PRICE: EURO 2500
DEPOSIT FOR BOOKING: EURO 800
The workshop fee includes the following
Tuition of 6 – 8 hours per day
Studio open 12 hours per day
All materials and firings
Lodging in double room; single room on request, add 400 euros
Welcome dinner and farwell dinner; welcome breakfast
A freshly prepared Tuscan Lunch with wine on all working days
Payment and Cancellation policy
A deposit is required upon registration. After submitting the registration form, you may proceed with the on-line payment of the deposit. If you choose to pay by bank transfer, the registration will be confirmed upon accreditation of the deposit in our banking account. The balance must be paid at the beginning of the course.
You may withdraw within 14 days of registration without incurring in any penalties and will the deposit fully refunded. No refund of deposits past 14 days of registration, pursuant to articles 53 and following of the EU consumer protection legislation.
If La Meridiana cannot hold the course due to unforeseen events beyond our control, the deposit will be fully refunded through the same system it was paid. (on-line or with banking wiring.)
La Meridiana reserves the right to offer a different course with similar characteristics and, in case of your acceptance, the deposit will be transferred to the new course.