July 20 – 26 2025
Sand, gold and glaze for unusual objects
Handbuilding. For the intermediate level
Precious Surface and Decors is a course to experiment with layering of glazes, sand, glass, gold and silver that will result in precious surfaces and decors, to be used in jewelry but not only.
Students will learn how to make rings and small elements entirely in porcelain, on which experiment the different techniques at high and low temperatures. Firing the elements several times will produce stratifications, thus resulting in a unique and precious surface. The materials used will include glazes, sand, glass, silver and gold and the instructor will pay particular attention to the third firing, when applying gold. This is an ancient technique, revisited in a contemporary key. The focus of the course will be the application of the techniques for jewelry in porcelain, but the tecniques can be used with equally fine results on stoneware and on larger objects. The work will be fired in oxidizing atmosphere in the electric kiln.
There are 5 full working days in the studio.On every classday, a delicious midday meal will be served. At booking, you may select your preferred room type, choosing between standard lodging, single room and/or upgraded accommodation. Please note that depending on the availability, certain types at times may not be offered. The last kiln opening will be in the morning of Saturday, please plan your travels so to not need to leave La Meridiana before 9.30 am.
Luca Tripaldi lives in Florence where he has his studio. After training in graphic design, he worked for ten years as a sculptor and set designer, making masks and special effects for renowned opera houses like The Scala in Milan and The Arena of Verona. In 1998 he opened his own ceramic studio. He uses porcelain, preferring unglazed surfaces and is known for his Contemporary Art Jewelry. He conducts an intensive teaching activity, holding workshops throughout Europe and the United States. He never gets tired of experimenting and he dedicates particular attention to the pedagogical aspects, with the aim of making learning easier for his students.
www.lucatripaldi.com
Instagram @lucatripaldiporcelainandmore
| Artist | Luca Tripaldi |
|---|---|
| Length of course | 5 working days in the studio |
| Level | Intermediate |
| Technique | Jewellery, Handbuilding |
| Workshop fee (without lodging) | Euro 1900 |
| Deposit for booking | Euro 500 |
The costs listed include both: the workshop fee and the lodging.
Standard accommodation in shared double room, at 15 minutes walking distance from La Meridiana – Final course cost: Euro 2120
Standard accommodation in single room, at 15 minutes walking distance from La Meridiana – Final course cost: Euro 2300
Private apartment with air condition, at maximum 15 minutes walking distance from La Meridiana. Final course cost: Euro 2600
Course without lodging Euro 1900
A deposit is required at registration. After submitting the registration form, you may proceed with the payment on-line. If you choose to pay by bank transfer, the registration will be confirmed once the deposit has been accredited in our banking account. The balance must be paid at the beginning of the course.
Cancellations
You may withdraw within 14 days of registration without incurring in any penalties and will have the deposit fully refunded. No refund of deposits past 14 days of registration, pursuant to articles 53 and following of the EU consumer protection legislation.
If La Meridiana cannot hold the course due to unforeseen events beyond our control, La Meridiana reserves the right to offer a voucher for a different course of your choice. The voucher is valid for two years. The deposit will be transferred to the new course.
The workshop fee includes the following:
Tuition of 6 – 8 hours per day;
Studio open 11 hours per day;
All materials and firings;
Freshly prepared three course lunch with wine on all working days;
Welcome breakfast, Welcome and Final dinner;
Coffee break in the mornings and in the evenings.
I have experimented with different materials and various firing techniques, both at low and high temperature. My interest is focussed on high temperature and porcelain processing techniques; porcelain is the clay I use for sculpture, decorative objects and jewellery. I mostly glaze only parts with crystalline or dry glazes, in order to get strong contrasts. I like my Contemporary Art Jewellery black or white, decorated with ceramic transfers. Although porcelain remains my favourite material, in recent years I have become passionate about resins, brass and electroforming, which I love to integrate into porcelain creations.
