May 23 – June 6 2021
A journey of inspiration, learning to transform historical forms into your own, personal expression
Handbuilding, and/or throwing. Some ceramic experience required
In this intense workshop, you will explore ancient pottery forms of Italy and transform historical inspiration in your own, personal expression. Through targeted field trips and concentrated studio time, you will achieve new methods of work and an insight into Italian culture that will inform your studio practice for a long time after the workshop.
Through museum visits in Florence, Volterra and Montelupo Fiorentino, students will study the historical pottery and vessels of the Italian peninsula, drawing inspiration for their own work. Using the coil-building and wheel-throwing techniques taught in this workshop, students will make vessels of their own, based on photographs and drawings of these objects. Supported by personal guidance and the vast experience of Margareth Bohls, each student will develop their own, very personal vocabulary.
The class will use local earthenware clay, slips, terra sigillata and majolica glaze. Techniques taught will include sketching as a tool for making, coil building, wheel throwing, making handles, lids and spouts, applying raised surface decoration, and majolica glazing techniques.
The workshop includes several field trips off the beaten tracks, and is a chance to explore ancient Italian pottery. Ground transportation is included. This course is best for those with some ceramics experience, either hand-building or wheel throwing.
Margaret Bohls is an American potter and educator who makes hand-built pottery and vessels. Bohls has been teaching ceramics at the college level for twenty-three years and is currently Associate Professor of Art at the University of Nebraska – Lincoln. She has taught hands-on workshops at renowned art centers. Bohls’ work has been shown in over 100 group and solo exhibitions since 1995 and is included in the permanent collections of the Minnesota Museum of American Art, the American Museum of Ceramic Art (AMOCA), the Weisman Museum of Art. She has written articles for the Journal of the National Council for Education on Ceramic Arts and Pottery Making Illustrated, and her ceramic work has been featured in periodicals such as Ceramics Monthly and Studio Potter Magazine.
Bohls’ work is grounded in an abiding interest in historical vessel forms, and in the social context of these objects. Her methodology for creating new work often begins with a study of a particular set of historical vessels. She strives to identify a set of physical, formal attributes of these objects that visually communicate something about the culture that produced them or the era during which they were created. She uses drawing to distill the objects down to their critical visual and formal characteristics. These drawings become the basis for the creation of a series of ceramic forms of her own. Her most recent series of work is based on several types of historical vessels produced on the Italian peninsula including Etruscan pottery and Italian Majolica. She has created still-life-like groupings that in some ways mimic the museum installations she studied in a recent trip to Italy.
DATE: May 23 – June 5 2020
LEVEL: Handbuilding, and/or throwing. Some ceramic experience required
TOTAL PRICE: EURO 2800
DEPOSIT FOR BOOKING: EURO 800
The workshop fee includes the following
Tuition of 6 – 8 hours per day
Studio open 12 hours per day
All materials and firings
Lodging in double room; single room on request, add 440 euros
Welcome dinner and welcome breakfast, final dinner
A freshly prepared Tuscan Lunch with wine on all working days
Payment - Refund Policy
You may withdraw within 14 days of registration without incurring in any penalties and will the deposit fully refunded. No refund of deposits past 14 days of registration, pursuant to articles 53 and following of the EU consumer protection legislation.
If La Meridiana cannot hold the course due to unforeseen events beyond our control, the deposit will be fully refunded through the same system it was paid. (on-line or with banking wiring.)
La Meridiana reserves the right to offer a different course with similar characteristics and, in case of your acceptance, the deposit will be transferred to the new course.